Jorge Joestar

Chapter 2: Nishi Akatsuki

My name is Jorge Joestar. I’m fifteen years old, and live in Fukui Prefecture, Japan. I’m English…but I look and probably am Japanese. For reasons I’ve never known, my Japanese birth parents were unable to look after me, or never intended to do so; without even giving me a name I was handed over to the authorities, and adopted by the Joestar family. So I was given a name that could be either English or Japanese.

According to Japanese law, when I turn eighteen I’ll have to pick either Japanese citizenship or English; at the same time, I have to select a formal name. Currently my official name is spelled out in katakana, with no kanji or Roman letter spelling set. The Roman letters in my passport read JOJI JOESTAR, which is super lame. If I go with Japanese citizenship, on my eighteenth birthday I’ll have to pick kanji for the name, and currently I’m leaning towards the kanji for ‘transferred’ and ‘child’ (譲児) in keeping with the Japanese idea that one’s name should describe you. But since I was raised English, trying to act like I’m Japanese now feels like I’m pretending; I’m used to the katakana, and don’t really care what my Japanese name is.

As far as the English name, despite the strong objections of my family, I’m dead set on Jorge, so I write it like that any time I get the chance. I’m not the least bit Latin, but my friends all call me Jojo, and I get called Detective Jojo a lot. But if I went with George Joestar the nickname Jojo would be impossible.

If nothing else, Joji wouldn’t cause any problems with the nickname, but if I let any native English speakers read it, they’d never pronounce it right. Joji is a reading by and for Japanese speakers. If details don’t add up right I get agitated, and start searching for a better way. This trait has lead to my room being very clean, and made me a great detective. And that very trait is getting up my nose right now. Something had been bothering me for a while, and was coming to a head.

This particular itch had been nagging me for the last couple of years, ever since I solved fifteen locked room mysteries in a row, but two serial killer investigations had distracted me for basically this entire year. But now that I’d successfully caught the triplet dismemberment psycho, Guruguru Majin, and had received word that they’d finally tracked down the serial torturer Nail Peeler after his daring escape six months back I was finally able to relax.

I made a full report of my escapades to my father, who – a victim of a particularly misguided attempt at selecting a Japanese sounding name – was named Jonda Joestar. Then I went to bed, and finally remembered the source of my discontent.

Specifically, a newspaper article that laid out the locations of the fifteen locked room mysteries on a map of Fukui Prefecture.

All the cases had happened in the Northern half of Fukui, in the area called Reihoku. The newspaper article numbered them in the order they’d been committed; in other words, the order the victims died. This made sense from a news perspective, but my immediate thought was that it was totally the wrong approach to these particular cases.

The trick to locked room mysteries lies in their discovery. The realization that the room has been locked from the inside is what defines them. The killer’s job ends with the discovery. I made a mental map of them numbered in order of discovery.

Something about this map had been tickling the corner of my mind for a while now. My instincts told me this order had meaning. My first thought was that the locations were drifting slowly south.

Each of the fifteen cases had a killer, and we’d found no links between the killers, the victims, or any other aspects of the cases. But the cases did occur more or less from north to south, moving like a cold front across the map.

Fukui’s Reihoku area wasn’t terribly large; fifteen locked room mysteries happening in rapid succession was enough to make you wonder if the urge to commit a locked room murder was somehow communicable.

An outbreak of the locked room murder syndrome.

I had a vague memory of some expert suggesting as much on the news.

Maybe it worked like dismemberment; it was a known fact that once the idea entered the public consciousness that cutting up your victim made it easier to carry, to hide the body, and to throw investigators off the track, we saw a sharp rise in the number of mutilated corpses.

But if that was the case, the influence would have spread to the whole country, and the trend would not have died out after only fifteen cases.

But it had.

As far I knew, in the year since the fifteenth cases, there had been no locked room mysteries at all.

This fifteen were an isolated group. They looked like they had no connections…or someone was making them look that way.

I opened the mental map again, and stared at it.

Was there a pattern that lay beneath the seemingly random spread?

Some principle at work?

Something beyond the general spread to the south, a boundary, or…border?

These were locked room murders; they took place in enclosed areas. If there was some sort of border around each of them?

Why had the word border caught my attention?

Maps have an outline around them, marking the borders of the location or place depicted.

I felt sure the scenes of each crime weren’t scattered at random, but carefully placed at appropriate distances, placed as far away from each other as the border allowed.

But I couldn’t quite see where the boundaries were.

Why not?

There had been no cases discovered in the city of Takefu, leaving a big white space, and that felt like it was getting in the way of me seeing the pattern.

If a sixteenth case had happened there, then the map would make a lot more sense, I thought…and suddenly I saw it.

That gap had its own borders, dividing up the nap neatly.

A large 4×4 grid laid over the map; it had been right under my nose all along, but the blank space had blinded me to it.

Looked at this way, I instantly knew that blank space, the empty square, was the key to everything. This was a giant 15 puzzle.

I solved the puzzle an instant later. It was easy. I only had to move each piece a single square.

Each number was only one square away from sequential order. Since they’d moved in different directions, it appeared random; but order lurked right next door.

Having solved this two year old puzzle, I wondered what it

meant.

A 15-puzzle. If there was a puzzle, then someone must havedesigned it. And if it was hidden, that meant it was a message to whoeverdiscovered it. Was someone trying to tell me something? When this flood oflocked room murders had happened two years ago, the police and I had, ofcourse, searched thoroughly for any connection between them, and verifiedcountless times

that there was no such thing. Was there really someonedirecting all the individual killers? The tricks they’d used were alldifferent. No connections, no pattern, and we’d been unable to figure out exactlywhere the killers all got the idea to use a locked room trick. They allinsisted it had just seemed like a good idea, and we had no choice but to takethem at their word. I knew perfectly well that human imagination did not alwayshave a clear foundation, and certain criminal actions could trend without anycontact between the perpetrators. But the police and I didn’t take the killersat their word, and had searched high and low for any indication that someonehad helped them. How had we missed it? Had there really been someone whotracked down would be murderers and supplied them with plans for a locked roomtrick? There was. There had to be. This 15-puzzle proved it. But we’d caughtall the killers. I’d explained the case, and they’d confessed, explaining theirmotives and essentially turning themselves in. They’d been very cooperativewith the police and prosecutors afterwards…was this all a performance toprotect the designer? What kind of person could inspire such loyalty in allfifteen killers? This was no good. I couldn’t started doubting the designer’sexistence now. Throughout the case we’d been constantly of the opinion thatthere should be one, but the evidence said otherwise. That made it hard tobelieve, even now I knew the truth. I had to stop. If this puzzle existed, thensomeone had to have made it. I had to focus on deciphering the messagecontained within the puzzle. I looked over my mental map of the puzzle again. Asimple 15-puzzle, each number moved a single square away from the startingposition. Starting from the blank space, all you had to do was move the numberthat belonged there into the gap and the puzzle solved itself… I checked theorder of moves again.

Blank ← 10 ← 14 ← 13 ← 9 ← 5 ← 1 ← 2 ← 6 ← 7 ← 3 ← 4 ← 8 ←12 ← 11 ← 15. Was this…supposed to indicate a Domino Murder Exchangesequence?

If the victim from the tenth case was killed by the killerof the fourteenth case, and the victim in fourteen was killed by the thirteenkiller…if the killers had traded places, allowing those with actual motivesfor the killing to establish alibis at the time of death and evade suspicion,would that make sense? But in that case there was no indication who could havekilled the victim in the fifteenth case. If the Domino Murder Exchange were tocomplete, the murdered in case ten would have to kill the victim in casefifteen, but that wasn’t shown anywhere in the puzzle. If I was to correctlyread the implications of this puzzle in terms of a Domino Murder Exchange, thetenth case’s killer would have killed the victim in the blank space, an as yetundiscovered sixteenth locked room, and the killer in the fifteenth case wouldhave committed the murders in both the eleventh and the fifteenth cases. Thetrue killer in the sixteenth case would have kept his hands clean…so did thatmean he was the one behind the whole shebang? No, no, no. I was trying too hardto find answers in this puzzle. The whole point of exchanging murders was toget yourself a cast iron alibi and keep yourself off the list of suspects. Butin all fifteen cases, the killers had been arrested, confessed, sent to thecourts, and were starting to stand trial. With the possible exception of thekiller in some hypothetical extra case that might occupy the blank spot, nobodygot away with anything. If they had been so desperate to avoid suspicion thatthey’d do something as

risky as trade murders, hadn’t they been caught a little tooeasily? No, no, no, no, no, no. These fifteen murders may have taken place inthe relatively short time period of a year, but it wasn’t like they happenedall at the same time; they were spread evenly out across the full twelvemonths. So the first locked room mystery had already been solved by the timethe third was discovered, the killer identified. The cases were being steadilysolved as the new locked rooms were found. It was absolutely impossible for theninth killer to have actually committed the thirteenth murder, as the puzzleimplied; by the time that case happened, I had already identified the killer inthe ninth case, the police had taken him into custody, and he was safely behindbars. For the same reasons, the killer from the fifth case could never havemurdered the ninth victim, and the killer in the first case could not havecommitted the fifth crime. This could only fit the model of a Domino MurderExchange if I had been wrong about all the killers I’d caught, if all those ontrial were taking the fall for the real culprit…but that was impossible. Why?Because I was a detective, and if I felt I was right about something, I wasnever wrong. These killers were the killers. The Domino Murder Exchange theoryitself was wrong. If I had the right killers, than those cases were closed.Solved. Then if I focused less on the numbers themselves, and more on thenature of the 15-puzzle, was the intent to suggest that the locked room murdershad each occurred somewhere other than they would normally have happened? Thetenth case would have happened in the blank space, the fourteen would havehappened where the tenth was discovered, with each successive murder committedin the wrong location? Did that work? 56 Not in the least, I decided quickly.There was nothing unnatural about the locations of the murders. Of the fifteencases,

two had occurred in tourist attractions, but the others hadall occurred in homes belonging to the killers, the victims, or friendsthereof. Each trick had been tied specifically to the layout of the room inquestions, and no particular contortions had been required to make the trickswork. The trick used to lock the room in case fourteen would never have workedat the location used in case ten. It was impossible to divorce the tricks fromthe rooms they locked. A locked room trick can only be manufactured from thegeography of the room. The placement of furniture, accents, of cracks string orwire could be run through, of hiding places – these specifics were different ateach location. What the killer could physically do was different in each case,as different as the people involved. It went without saying that finding tricksthat could be used at fifteen locations was highly improbable. No, it wasimpossible. Four of the fifteen cases had taken place in four of the strangestbuildings in Fukui, and used the bizarre nature of those buildings as anessential component of the trick. No trick that involved moving walls andfloors, or ceilings that turned upside-down could possibly be used anywhereelse. The locked room murders had been used in the right place, by the rightpeople. I had solved each of them correctly. Those cases were over. So what wasthis puzzle? If I assumed that I had solved everything correctly, then themeaning of this could not be that the real solution would only be seen if Ishifted everything. There must be something else, something new. The fifteenlocked room mysteries were of no importance, and I had to examine the meaningof this puzzle from the surface. The simplest reading was the correct one –namely, that because each number had been shifted, a new, extra space had beenleft behind. The man behind the fifteen locked rooms had created a new mystery,one that had only just begun.

Then what I had to do was try to find this new, extra space.I got out of bed, dressed, got on my bike and rode north towards Takefu. Whatwas I looking for? Something sort of locked room, I supposed. But the bordersI’d found each covered an area ten kilometers square. Trying to find somethinglocked room-esque by aimlessly pedaling around country roads in the middle ofthe night seemed hardly productive…but as I came down route 365, entering theoutskirts of Takefu, I found a house on fire. It was so sudden I almost didn’trecognize it as a fire. But I took a bizarre comfort in the knowledge that thiswas what I was supposed to find, that it had been prepared for me. I barelyeven had to look. The farmhouse on fire belonged to the Kato family of NishiAkatsuki. Kato Serika’s parents had died recently, and she’d been in town todeal with their empty house. As I furiously pedaled closer, I found herstanding outside with her husband Satoshi and their four-year-old son Seshiru,staring blankly at the fire.

“Are you hurt?”

I asked. When Serika and Satoshi failed to respond, Seshirupiped up.

“There’s a pool in the house and a stranger swimming in it!”

? What the heck did that mean? I looked in the window of theburning house, and Seshiru was right; the house was filled with water, andthere were jets of it spitting out of every crack. The water was moving throughthe house at whirlpool speeds, and the front door seemed to have been shut bySatoshi to protect his family from the current and the furniture hurtling alongin it. As I gaped, I caught a glimpse of a human figure rocketing past a secondstory window. But it didn’t look like he was swimming to me. Was he dead? Wasthis another locked room mystery?

I tried asking the Katos again.

“How did this happen?”

“I dunno,”

Serika said.

“We…were eatin’ dinner, when suddenly water startedpourin’ down the stairs. We rushed outta the house and…it just startedburnin’.”

“It came from upstairs?”

Water?

“Did you have a tank up there?”

I looked up at the house, but it was a normal lookingbuilding, no sign of any water tower.

“No, no,”

Satoshi said.

“That’s no ordinary water, neither. That’s sea water.”

“? Sea water?”

“From the sea. It was salty, like.”

“Yeah, that’s salt water, alright. It reeked of it,”

Serika said. Seshiru laughed, and nodded. It certainly didsmell like the sea. But we were a good forty kilometers from the ocean, andthere were several mountain ranges in the way. How in the hell had so much saltwater suddenly appeared on the second floor? At any rate, there was definitelysomebody inside, so this would soon be a crime scene. I’d like to preserve itas much as possible, but that was hard to do with it being on fire and all. Ilooked up at the second story window again, and saw a young man clinging to it,looking down at us. His hair was in his eyes, thrashing in the current, but fora moment, our eyes met. I’d just assumed he was already dead. Guess not.

“Okay, you guys better move farther back,”

I shouted, and ran to the nearest window. Between the weightof the water and the fire the walls were ready to burst…the indoor pool wasno long for this world. Did I have time? I broke the glass on the nearestground floor window. There was a crack, and water burst out, sending shards ofglass and bits of broken window frame rocketing past me. Zsshhhaaaaassh! Ibarely dodged out of the way in time, and quickly broke another window. Thespray on my face

confirmed that house was filled with salt water. But thiswasn’t the time to ponder that mystery. I reached the front door, put my handon the knob, but before I could open it the hinges gave up, and a wave of waterburst out, sweeping me and the door away. There was a roar as the water filledthe front lawn, and when it subsided I found the second story man lying on theground in front of me, coughing up water.

“Perdón,”

he said.

“¿Qué pasó? ¿Dónde estoy?”

Spanish. He might be wet, but this guy looked Japanese. Hewas very handsome, but looked about the same age as me.

“This is Japan? I have no idea what’s going on, though,”

I said.

“Oh! Japanese!”

he said, in Japanese. Behind him there was a deafeningrumble, and the Kato residence collapsed into a pile of wet bricks. At leastthe fire was out! There was another rumble – thunder. I looked up, and theclouds covering the sky were swirling. I saw something shaped like a funnelretreating back into the sky. It was dark, and hard to make out, but…had thatbeen a tornado? But tornadoes generally dragged things off the ground, notdropped them off. And for it to do a pin-point touchdown on the Kato residenceon tonight of all nights, at this exact time, with no other damage… I had nochoice but to accept it. That tornado had brought this boy here. From somewherethat spoke Spanish.

“You okay?”

I asked. He brushed his wet hair out of his eyes with bothhands, and blinked up at me.

“That’s a tough question. I’m not injured, at any rate. Whatday is it?”

“July 23rd.”

“Okay, same day…but I was on a boat, and we’d just sighted

the coast of Florida.”

?

“Florida?”

“Between the Atlantic and the Gulf of Mexico.”

“…….? What’s the Atlantic? Never heard of this gulf,either.”

“Hunh? The Atlantic…it’s an ocean.”

“…sorry, but there’s no such thing.”

“……..? What do you mean?”

“There’s only one ocean. The Ocean.”

“……no, that’s……um? This is…where, in Japan?”

“Fukui Prefecture. Nishi Akatsuki.”

“Hunh? Then I’m home? How…?”

“? What, you’re from Nishi Akatsuki? So I am! How old areyou? I’m fifteen, sixteen this year.”

“Same age. My name is Kato Tsukumojuku. My address here isNishi Akatsuki-cho Nishi Akatsuki 3-21.”

Weird name, but I gulped for a totally different reason. Iturned to the Kato family by the gate.

“He’s related to you?”

The address he’d just given was the empty home whereSerika’s parents had lived. But the Katos didn’t answer. They just stared inhorror at the remains of the house they’d just built a few years earlier. Ilooked back at Tsukumojuku.

“Your name written 9, 10, 9, 10, 9, then?”

“Ah, Fukui dialect…yes, it is.”

“So you made quite the bizarre entrance. What do youremember?”

“Well…I was on a boat, crossing the Atlantic from theCanary Islands to the America.”

“The Canary Islands?”

“Never heard of them? Small islands, owned by Spain, off thewest coast of Africa.”

“Okay…and the Atlantic?”

“…the Atlantic ocean lies between the North and SouthAmerican continent on the one side, and the Europe and African continents onthe other. Doesn’t it?”

“No. Also, what are you talking about, American and Africancontinents?”

“…..what continents do you have?”

“Panlandia.”

“……..this doesn’t sound like an issue of education,”

he said. I nodded.

“I’m very well educated,”

I said. He gave me a dubious look, so I added,

“I’m a detective, after all.”

His eyes opened wide, then he grinned.

“Oh. So am I.”

“Oh yeah? You’re shittin’ me? The great detective KatoTsukumojuku? Never heard of you, and it sounds like that ain’t cause you operatedabroad.”

“Right.”

“Better introduce myself, then. My name is Jorge Joestar.Everyone calls me Jojo. Detective Jojo. Welcome to the new world, where theAtlantic and the Canary Islands don’t exist.”

Tsukumojuku just gaped at me for a while.

“…what is Beyond playing at?”

he asked, at last.

“What role does it have in mind for me?”

This made no sense, but it seemed like he was talking tohimself, so I let it pass. No idea where he came from, but it was a place withweird ass tornadoes. Didn’t seem like somewhere you could just up and go as youpleased. What he’d just said was probably some sort of religious grumbling,nothing I could do about it.

The way he’d appeared was so bizarre I wasn’t really allthat surprised by anything any more, but by the time he was through

getting checked out at the hospital Tsukumojuku had gonestraight through surprise to clutching his head. Firstly, while it was indeedJuly 23rd, it was 2012, not 1904. He’d traveled forwards in time over a hundredyears. We quickly proceeded to comparing world maps…of course, there were noworld maps that looked the way Tsukumojuku described his world, so he had todraw his freehand. He produced a very detailed sketch of a very strange world.His world looked broken. I showed him ours, and he said,

“This…is impossible.”

My sentiments exactly. When Tsukumojuku said nothing more, Isaid,

“There’s no way the land shifted this much in a hundredyears.”

Continental drift was a matter of a few millimeters a year,and that was on the active side. It would take hundreds of millions of yearsfor Tsukumojuku’s world to become mine. The continents moved on the plates,forming a giant continent, breaking up, and moving together again. Platetectonics showed this had happened and would happen again. Even if hiscontinents had just merged together once to form my world, that would havetaken forever. But I didn’t see this change happening so easily. The pieceswere all mixed up. To get this far, they’d have to trial and error it forbillions of years – longer than the life of the Earth. It had been roughly ahundred million years since the first humans showed up, so if Tsukumojuku camefrom the same planet as me, he would have had to have been through severalcontinental divides, but if he came from a billion years ago his clothes,manners, and Japanese were much too similar to our own. I couldn’t see morethan a hundred years difference between us. I was pretty sure the only possibleexplanation would involve parallel world theory. That sounded fun! This provedparallel worlds not only existed, but that it was possible to travel

between them! Wah ha ha! While I worked myself into a tizzy,Tsukumojuku sat on the hospital bed, comparing the two maps closely, mutteringsurprise at the location of one place or another, confused about the locationof others.

“I say,”

he said at least,

“I don’t see England anywhere.”

“English is a phantom country, not on any map,”

I said – the stock, self-deprecating description all Englishcitizens used. A group of Anglo-Saxons living in Maine in the 19th century haddeclared independence, calling themselves the Kingdom of England. They evenfought a war. The American government never officially recognized them, butseveral other countries did…only for them to collapse from within, and beswiftly swallowed back up into the United States. Having lost their country,the English scattered across the world. There were many families like theJoestars, that would have died out if they hadn’t adopted.

“Oh,”

Tsukumojuku said, gravely.

“Well, at any rate, I have a theory as to how I came to thisworld.”

Ehhhhhhhhhhh!? Already!?

“You’re some detective!”

I said. I was used to hearing this, but I’d never said itmyself before. I was a little miffed, honestly, but I didn’t have enough data toform a theory of my own yet.

“It’s just a theory. I’ve no proof of any kind,”

he said, and pointed down at the map he’d drawn.

“I was headed here, towards the Southern tip of Florida. Ifyou connect Florida, this island, Puerto Rico, and then these islands, theBermudas, you get a triangle shaped area of ocean. Legend has it that manyships vanish entirely as they pass through this area – sometimes just thepassengers vanish, and the ships around found empty. We call it the BermudaTriangle. Like I said, just before I passed out I was gazing at the coast ofFlorida on deck, then went down to my cabin to stow my luggage. The boat washeaded due north, right through

this point on the triangle. Now, this area of Florida islocated at 25 degrees north, 81 degrees west…which is exactly where Japan isin this world.”

Ooh, I thought, and took a closer look at the maps myself.Even on the hand-drawn map it was clear the two points overlapped. Then Inoticed something, and said, excitedly,

“And if that theory is true, then we’ve basically figuredout how to get you back.”

Since Tsukumojuku still didn’t quite know his way around theworld, I pointed.

“See, there’s a bug gulf in the center of Panlandia, with apeninsula and a bunch of islands. That’s Florida, Puerto Rico, and Bermuda allright on top of each other, right? The Bermuda Triangle’s basically the Bermudadot. And according to your map, this is right on top of your world’s NishiAkatsuki.”

“Really?”

“Ha ha ha! This is straight up telling you where to go toget back home, isn’t it!?”

“Yeah…but…it’s kind of scary, isn’t it? Like someonemade this happen. Like they summoned me…”

I agreed.

“’Like’ nothing, someone clearly did.”

“…………!”

“Sure, that’s scary, but I got your back on this. I’m hellainterested in what’s happening to you.”

“But I’m not the target here,”

Tsukumujuku said, pointedly.

“You are.”

Eh?

“Wha? I’m more like an innocent bystander that just gotmixed up in this mess.”

“But you aren’t. Why were you there tonight? How did youfind me?”

Good point. I explained how I’d solved fifteen locked roommurders two years ago, then found a 15-puzzle that had eluded me at the time,solved it, and took off down route 365 to verify the answer. I had to admit, hemight be right. I was lead right to him.

“…guess neither of us were there coincidentally.”

“Not only that. You said you solved fifteen locked roommurders two years ago. In my own world, I did exactly the same thing.”

“Hunh?”

Did how?

“In the Canary Islands, on the island of La Palma. I’m surethe details of the cases are different, but…”

The two of us compared notes on the salient points of eachset of fifteen. They were completely different, of course. It was impossible todivorce the tricks from the rooms they locked. A locked room trick can only bemanufactured from the geography of the room. The same tricks could not be usedin a different country and time. But the order of discovery in Tsukumojuku’s

cases was identical; and the 15-puzzle they formed matchedas well.

“I never noticed,”

Tskumujuku said, gloomily.

“I just noticed myself like an hour ago. Betcha wouldafigured her out soon enough.”

He looked up at me.

“You ever worked a case with another detective?”

“Nope. Only like 800,000 people even live in Fukui. Lottacases for the country and I ain’t the only detective around, but I never bumpedinto any of the others on a case. If we hear someone else is on the job theothers all stay away, I suppose. I have heard it happens to Tokyo or Osakadetectives all the time, though.”

“I’ve never even met another detective. The Canary Islandswere not much more populated. So let me ask you this; if several detectives areon the case, and one solves the case before the other does, is the slower onestill a detective?”

Ugh. Who gave a crap? Just ’cause I solved the 15-puzzlefirst didn’t mean he had to sulk about it. His case was a hundred years ago –maybe – so we weren’t exactly racing, here.

“Depends on the next case,”

I said, at last.

“If the slower detective gets there first the next time theyteam up, they’re even.”

Honestly, I was just trying to make him feel better. Hewasn’t buying it at all.

“Detective isn’t a title earned over a lifetime. You don’tlook back over your deeds and realize you’re a detective. You know you are, andintroduce yourself as such.”

“True enough.”

“If you can’t solve a case, you aren’t a detective.”

“Hmm…certainly, in that moment, other people might say youweren’t qualified.”

“Detective, in the sense we use it, is an honorary term. The

moment people deny it, you lose the right to it.”

“And you can get it back on the next case.”

“You’re thinking in lifetime terms, again. You can’t be adetective your whole life. You’re one on each individual case.”

“………”

Fuck this.

“Okay, okay, so you feel like you aren’t a detective anymore? Do better next time.”

“I haven’t believed I was a detective for some time. Even onthe Canary Islands, I wasn’t sure why – why I could continue to act like adetective in spite of it. It never felt real.”

“? I don’t know what you’re driving at, but if you solvedcases, you’re a detective. I might have got to the 15-puzzle before you, butyou solved all fifteen cases, right? You did your job.”

“If someone got to the truth before you, would you stillcall yourself a detective?”

“…I might keep a lid on it till the next time, yeah.”

“There will be no next time,”

Tsukumojuku said.

“I’ll never call myself a detective again. Not now I’ve metyou.”

“?”

“You are the Jorge Joestar who will steal my title.”

“What the fuck are you talking about!?”

I finally slipped and swore in front of him, but he didn’tseem to mind. He even laughed.

“Been a long time since a Jorge Joestar spoke like that tome.”

What?

“Are you memories getting confused, or…?”

“My memories and mind are clear, Jorge Joestar. I can safelysay my mind and headspace have never been so free of clutter. My role asdetective may have ended, but I believe I have been given a new one. I am hereto explain Beyond to you.”

What is Beyond playing at? He’d whispered. I instantly knewI didn’t want to hear any of this, but that I needed to hear it all the same.

“In my world,”

Tsukumojuku said,

“There is another Jorge Joestar.”

What? ♡ Really!? ♡♡♡This was getting fun! ♡♡♡♡♡

He told me about this other Jorge Joestar. The story of abullied kid who made friends with a detective, and had adventures on a SouthSeas Island that didn’t exist in our world. The fifteen locked room murdersweren’t the only similar cases. The three serial killer cases I’d closed theyear before that, had also been solved three years ago by Tsukumojuku and hispartner, ‘Jorge Joestar’. Likewise, they’d caught psychos remarkably similar tothe Guruguru Majin and the Nail Peeler ‘last year’. Was this synchronicity? Orwas history repeating itself? Before I could think further, Tsukumojuku said,

“And this year, Jorge and I captured the true mastermindbehind the fifteen locked room murders. The man who invented all the lockedroom tricks, and controlled the killers from the shadows.”

Haaaaaaaa? Waitwaitwaitwait

“Stop!”

I yelled.

“I haven’t done that bit yet let me think!”

Tsukumojuku recoiled from my sudden ferocity.

“It’s not that complicated,”

he said.

“You wanna steal the detective role back from me?”

“I don’t mean to do that, and I doubt that would happen…”

I ignored him and began thinking furiously. So there was amastermind? Obviously that made sense, of course there was. Fifteen locked roommurders had happened all in a row, all in Fukui, all in Reihoku. But like Isaid before, the police and I had suspected there was a mastermind/controllerin the shadows, and left no stone unturned in our search for one. Had we

missed something? I didn’t think so. I was sure we’d beenthorough. And correct. There were no connections of any kind between anyonerelated to any of the fifteen cases. The police and forensics people had beenover every detail; we’d even tried hypnosis and every occult technique we couldthink of to no avail. We even tried voodoo dolls. I had not been wrong. Thosefifteen locked room murders had ended with the summoning of this otherdetective from a bizarre alternate universe. I had been so sure the fifteencases had each been independent, even though they’d lead me – coincidentally orotherwise – to what seemed awfully like a magical phenomenon. But perhaps thatnotion was my mistake. I definitely hadn’t overlooked anything; I’d checkedevery detail. Even now, I felt comfortable removing that option from the table.So if I hadn’t overlooked anything, then, logically, there must be something Ihadn’t looked at yet. The man who invented all the locked room tricks, andcontrolled the killers from the shadows. If someone like this was behind thecases in my world too, then this shadow controller’s shadow must have touchedeach of the fifteen killers. But that was impossible. One of the cases hadhappened inside a prison, and the killer was serving a life sentence, withlimited visitation rights. And we’d checked every visitor thoroughly. Anotherlocked room case involved a shut-in son who killed his father; the son hadn’tspoken to anyone outside his direct family, and we’d found no records of anysuspicious contact online, either. This shadow controller could not physicallyexist. In other words, he had to exist in some non-physical form. This wasn’tthat surprising an idea. We’d already entertained a number of occult theories,and tested them thoroughly. We’d done occult. So what else was there?

Where did they meet? Where could they meet without meeting?

“Dreams,”

I said.

“Or daydreams.”

I wasn’t talking to Tsukumojuku. I was just thinking outloud. I kept going.

“Not daydreams…that’s just thinking, no way for someoneelse to control you. Unless you had a delusion that you were being controlled?But that would still mean they created the locked room trick themselves. So itmust be dreams.”

Were dreams 100% produced by your own mind? At this point Inoticed Tsukumojuku watching me. Half surprised, half impressed. From this Iknew I must be right, but really? Dreams? It was my idea, though. Dreams, then.Could this shadow controller have manipulated the killers in their dreams?

“The killers in my world all met a clown in their dreamscalled the Locked Room Maestro,”

Tsukumojuku said.

“He forced the plans for the murders on them. Since everyoneforgets their dreams, they all thought they came up with the tricks themselves.”

Had he watched Inception or something? But that was scifi,and a movie, and you couldn’t actually jump into someone else’s dream. I musthave looked skeptical, but Tsukumojuku carried on expositing.

“This so-called Locked Room Maestro wore clown clothes andmakeup, and appeared in the dreams of the killers, working his way into theirhearts, and drawing forth the darkest emotions within. That part wasn’t toohard. All he had to do was find someone they hated, or had trouble gettingalong with, or just had trouble communicating with, even just simpledisgruntlement. Once he found those emotions, the Locked Room Maestro wouldappear in their dreams, and blame all those problems on this one person. Nobodycan escape their nightmares. The Locked Room Maestro would twist their fear,making it seem like their eventual

victim was the source of it all. No matter how forced thereason, logic and sequential progression have no place in dreams; only theemotional response matters. One the seed was sown, the killers’ fixations wouldgive them even worse dreams. The Maestro would keep a firm grip on the reins,whispering that it was all their victim’s fault, and his targets had no choicebut to believe him. This vicious cycle continued until they were entirely underhis control. The Maestro persisted, driving them deeper, even torturing them ifhe had to. The killers would find themselves murdered in their dreams, buttheir eventual victims, or by the Maestro himself. These dreams were soterrifying they’d awaken in a nervous frenzy, and this persisted until the realworld felt like a dream to them. Physically, there’s nothing wrong with them,but that just makes it worse. They’re spending all their times in a state ofpanic, and don’t remember the dreams that caused it, so the frustration isbuilding up inside them with no way to escape, and no clear cause. Eventuallysomeone they would never have dreamed of killing begins to seem like someonethey have to murder, and they act. But the Locked Room Maestro never once metthem in person; he kept his distance, remained hidden in their dreams. The onlyreason we ever found the evil clown is because the girl he tried targeting nexthad a pathological fear of clowns. The Maestro’s guise was so terrifying sheremembered the dream clearly, spoke to those around her about the horribleclown that kept coming into her dreams and whispering about locked roommurders, and this, in turn, attracted our attention. Nobody she’d spoken tobelieved a word she’d said, but we did. We spoke with the fifteen killers, andthey all began to remember him. From what they remembered, we were able topiece together his identity. Aside from the red nose and poofy wig, he was justwearing make up. From their descriptions, we were able to put together acomposite sketch. He’d also talked about himself quite a bit in their dreams;

he was so sure they wouldn’t remember anything, he let slipa number of details that helped us identify him. I suppose after fifteensuccessful remote control murders, overconfidence is unsurprising. He wasyoung, too. Still in high school, wanted to be a mystery novelist when he grewup. But he had the power to slip into other people’s dreams. When we burst intohis house, police in tow, we found the clown outfit and makeup; we assume hepurchased them to make that part feel real. We found notebooks filled withlocked room tricks. But no novels. It seems he didn’t have what it took to be awriter.”

“Hell, you can catch the guy, but you can’t try him,”

I said.

“No way you can prove the ability to enter dreams, and evenif he demonstrates it, nobody would remember.”

“…there was no trial. The Spanish police on La Palma beathim to death with their nightsticks, and sank his body in the sea at night.Jorge and I were powerless to stop them, and his mother didn’t even try. Ifword got around that her son was a witch, and the church got involved, herwhole family would be persecuted.”

Yikes. Country life a hundred years ago sounded harsh.

“If you don’t mind me veering off subject,”

Tsukumojuku started. I stopped him.

“Hang on, sorry, let me check up on this, see if there areany connections between the dreams of my side’s killers.”

I pulled out my phone, called Shirai Masami at the Fukui PD,and asked him to interrogate the killers about the dreams, using hypnosis ifnecessary.

“Dreams? There you go again with the weird ideas, Jorge,”

he said, but I knew he’d get it done. I hung up.

“That’s a modern phone?”

Tsukumojuku said.

“It’s so small, and there’s no line, and there are littlepictures moving behind that glass panel.”

Surprising, certainly, but everything he was experiencingwas. We had no time to stop and discuss the culture clash.

“Look, if we start down that road, it’ll never end.America’s about to put a man on Mars.”

“…yeah, leave it for another day,”

Tsukumojuku said.

“Back to the point…or rather, the tangent.”

I wasn’t sure what the main point was any more, but I lethim run with it.

“Truth is, I don’t think Javier Cortez – the true killer –was born with the power to enter dreams. The cause of his problems lay with hismother, Leonora Cortez. Just before the cops made him disappear, Javierconfessed everything to Jorge. He asked Jorge, ‘Do you know why I always didlocked rooms?’ Jorge shook his head. ‘Because all deaths take place in lockedrooms. I’ve slipped through the dreams of any number of people, and convincedthem to kill someone in a locked room, but the one I really wanted to die, theone I really wanted to kill…was myself. When I slept, I was trapped in alocked room with my mother.’ When Jorge repeated these words to me, I finallystarted asking the question I should have been asking…now that I had theanswer. In other words, why was it Javier spent so much time dreaming. It takesa lot of time to drive someone so far into a corner that they’ll commit alocked room murder. Javier wasn’t working on the fifteen killers one at a time.I don’t think he did them all at once, but he was always working on severalsimultaneously. And those are just the people he succeeded with; there musthave been other targets that proved less susceptible. He traveled through alltheir dreams, even showing up in their daytime naps if they got too scared tosleep at night. Which means Javier was sleeping all day, too. That’s anunhealthy amount of sleep. Why did Javier spend so much time sleeping? ‘When Islept, I was trapped in a locked room with my mother.’ Locked in a room withLeonora, he slept, escaping into other people’s dreams, hoping to find someonewho would kill him. What caused such anger, and self-loathing? Why would being

locked in a room with his mother make him sleep, and makehis hatred erupt across the dreams of strangers? What was his mother doing inthat room that would lead to such hatred?”

These weren’t questions. I knew the answer. There was noneed to speak it.

“I assume some sort of abuse was involved,”

Tsukumojuku said.

“The desire to kill himself is the desire to make his fleshdisappear. Sleeping and escaping into dreams were ways of escaping his fleshwhile he was in that locked room with her. Whatever was happening to his fleshwas so horrific he had to escape it. Which implies the abuse was likely sexual.But we’ll never know the truth. Javier was killed, and Leonora killed herselfbefore her seaman husband, Juan Rovira, returned home. With his family gone, hespoke briefly to Jorge. Whatever happened may have been going on for more thanten years. Juan was absent from home for long periods of time, and quite thephilanderer. When Javier was young, Juan often made Leonora cry, but at somepoint the tears stopped.

“I’ve got Javier,”

she said. He’d seen the boy comfort her when she cried, soJuan assumed she’d gotten over it, and thought no more about it. He certainlynoticed that she doted on the boy, but since that meant less strife for him, hewas pleased. In that sense, the cause of the cause lay with Juan Rovira Cortez.One person hurt another, that person hurt someone else in turn, and that persondeveloped a strange power that let them harm a number of strangers, and thosestrangers created locked rooms and murdered people in them.”

The core pattern behind so many of the world’s problems.

“Reality is what it is, and webs of misery are all aroundus, but my point is that Javier Cortez’s ability to enter stranger’s dreams wasa power born of the suffering his mother inflicted. It’s nothing but ahypothesis, but I’ve begun to believe that continual, repetitive suffering canlead to the development of unusual

powers that help the sufferer escape.”

Eh? That’s quite a thought. Here Tsukumojuku explained acase that had led to him forming a friendship with the other Jorge Joestar. Itwas another case of child abuse by an insane mother. Poor Antonio Torres, whohad his skin peeled off by his mother every year since he was a baby, and whenhe turned ten developed the ability to shed his entire skin intact once a year.

“Ugh, that’s gross!”

“But the cases are remarkably similar, aren’t they? Repeatedsuffering, supernatural abilities. No normal people shed their skin.”

“Point taken, but…can I ask a question?”

“Sure.”

“It might be a little rude.”

“I promise not to mind.”

“Maybe the world you come from is kinda fucked up. Maybestuff like that just happens there.”

“Hmm…I don’t have any grounds to deny the possibility, atthe moment.”

“I mean, I’ve never heard of anything like this.”

“I’d never heard of anything like that before I met JorgeJoestar. And I only have the two instances of this phenomenon to draw upon.”

“See? Sorry, but I just think it’s your world that’s weird.Everything’s normal here.”

“I think there are many things about your world that arestrange, but perhaps the laws it operates on are simply different from my own.”

“Unnh, this tangent’s getting scary. Some of these mentalimages I really didn’t need.”

“Come to think of it, I had Antonio Torres, 1900 – hisskin – in my luggage…did it arrive here with me? I was gathering mybelongings right before I passed out, and I’m certain I had the tube it was inslung over my shoulder.”

“Jesus! I really don’t want to see that, but I guess wecould ask the Katos? That house is done for, but maybe they found something inthe rubble.”

“Yeah…but it’s not that important. If they find it, I’dlike it back, of course. Javier Cortez’s clown nose and wig were in a differenttrunk.”

“Holy crap.”

“Ha. At any rate, that’s enough of that tangent. There’sanother point I really should make; something you need to hear.”

“About this other Jorge Joestar?”

“No, about you.”

“Yeah?”

Me? What was he on about? What could he know about me?

“You call yourself a detective, so this shouldn’t take longfor you to grasp. Have you never wonder why it is you’re able to solvedifficult cases and problems that nobody else can? Have you never found itstrange that you always get to the truth in the end? When you find a clue in abook you just happened to be reading, or have an idea triggered by aconversation you happened to have with a complete stranger, or when a criminalclose to getting away with it suddenly makes a boneheaded mistake, have youever wondered if it was one too many coincidences in your favor? Have you everfelt like the world revolved around you? Like God himself was looking afteryou?”

“Hunh? I mean, I get your drift, but isn’t that what adetective is? Luck is part of skill.”

“But humans are prone to failure, Jorge Joestar. Everyone

makes mistakes…normally.”

“I make mistakes all the time.”

“But in the end, you’re right.”

“Yeah, but I work my ass off.”

“Hard work doesn’t always lead to results. Normally.”

“Normally, shmormally, someone’s doing all right you don’tstand there hoping they fuck up. What’s your point? That I should be less sureI’m a detective?”

“No, quite the opposite. There never any reason to doubtyourself, or that you’re a detective. But you should be aware that you arereceiving preferential treatment at the hand of an arbitrary god.”

“…why? Should I give thanks for it or something?”

“No. I call this god

“Beyond”

– and I’m certain that this god has lined you and the otherJorge Joestar up for a reason, for some greater purpose. It must have beenBeyond’s power that sent me here.”

“And not because I solved the 15-puzzle?”

“You did. But think of it this way: Beyond set you on thatpath, and summoned me here. See? What most people imagine when they hear theword god is something all-powerful, that never explains itself to humans, thatacts in a seemingly arbitrary fashion. Irrational, devoid of logic. But nothere. The god I call Beyond prepared that 15-puzzle for you. I believe thatthere was a reason why Beyond had to do that. You’re a detective, and to someextent the nature of the world becomes predictable. Lords knows, as a detectivemyself, I’m sick of explaining to people that because I am there, everythinghas meaning. Just like the arrival of a detective in a mystery novel. In asense, Beyond is a mystery novelist. Beyond is writing a mystery novel in whichyou are the detective. And you should be aware of that fact.”

Hunh…I understood his point well enough, but…

“But why

do I need to know this?”

“I told you. Because there is another Jorge Joestar.”

“So what?”

“You said you’d never worked a case at the same time asanother detective. But you’ve read mystery novels where that was the case?”

“I have?”

There were a lot of them, these days.

“So?”

“Two detectives, one truth. If both are detectives, thenboth must arrive at the same truth. But does that happen in the novels of thisworld?”

“Most novels with two detectives have one solve it, then theother discover the real solution hidden behind it.”

“At that point, are they both still detectives?”

“Hmm…they’re treated like detectives, but certainly,within that novel, the latter is the real detective. But they might switchplaces in the next novel.”

“If it’s a series. But what I’m talking about, like I said,isn’t in terms of a lifetime, but in terms of each individual case. One volumeat a time. There is no next time. You are one of the two detectives. Your lifewill prove whether you’re the real one, or the fake.”

Man, this good-lookin’ kid was really making everything seemlike a giant pain in the ass. I was getting sick of listening to him lectureme.

“Fine, I’ll be the fake, whatever. Your friend, this otherJorge Joestar, he can be the real one, it’s cool. Ha ha ha. It won’t change whoI am. Why should I care? Not like being a detective is the only job I can do.There are plenty of others who can do the job instead of me, and I’m happy toleave them to it.”

I meant it. Murders and murder cases were hella scary.

Seriously dangerous. Figuring out the tricks was a pain, andlast act twists always pissed me off, and I never got off on the praise orgratitude…man, thinking like this really made me wonder why, exactly, I was adetective at all. I didn’t really give a damn. I just did it cause I was there;if there was someone else, then I’d rather not. I think this rattled him, buthe kept his poker face, and added,

“The two of you are working in parallel, but you aren’t bothdetectives. You’re both Jorge Joestars. Are you still fine with being the fake?”

“Course I am,”

I said.

“Didn’t I mention it? I’m adopted. You tell me I’m not JorgeJoestar, well…I’m not.”

At last I cracked his poker face. Didn’t he think it weirdwhen I gave the name?

“I just assumed a hundred years from now Jorge Joestar mightwell be a Japanese name,”

he said, laughing.

“No, no, I mean, some people do have weird names, but mostpeople are all still

“Tanaka Tarou”

or other super normal names. I guess your name is prettydang weird, and that might make you less sensitive to odd names? Most modernJapanese have ordinary names with easy to read kanji.”

Tsukumojuku sighed deeply. Ffffffffffffff.

“I don’t even know any more.”

I was starting to feel sorry for him.

“Sorry, sorry, maybe I shoulda played along more, but Inever was a good liar.”

“Please, spare me your sympathies.”

“Cool. Anyway, where you staying tonight? They’ll probablylet you sleep at the hospital tonight, but tomorrow?”

“Hmm…”

“You could go check out this non-triangular BermudaTriangle? I can pay your hospital bill and travel expenses. Not like you knowanyone else here.”

Except maybe the Katos.

Nobody lived in the house in Nishi Akatsuki; they might bedistantly related but distant was the key word there, and when he’d arrivedhe’d pretty much demolished their house, so. It might not be his fault,technically, but it was hard to blame them if they had it in for him. Might bebest to avoid trouble. Maybe researching their family tree might get mesomewhere.

“Or do you want to meet with…some people who might bedescendants of your family?”

“Well…I’d like to check if my luggage came with me, atleast, so I’d at least like to speak to the people from the demolished housebriefly. I don’t know if we’re really related, but I suppose I could tryworking as a detective here awhile. I don’t know much about this world, though,not at all sure I could be a detective here. Might be easier to just get anormal job if I need money.”

“Yeah. Well, tonight just get some sleep. You had quite atrip, and nearly drowned. You must be exhausted.”

“But I wouldn’t want my things thrown out with the rubble…”

“Don’t worry about that! Serika was still reeling from theshock of it all. They’re staying the night at a hotel somewhere, I’m sure. Thepolice will have to work the scene over, too, so we can go check it outtomorrow.”

“Okay. Thank you, Jorge Joestar.”

“Cool. Hmm. If you do decide to head for the BermudaTriangle, I’ll come with. It’ll be rough traveling on your own in the newworld, and I’d love to see what going to another world looks like.”

“…thanks. But…I can’t explain why, but I think youshouldn’t come to my world. There’s no telling what would happen if two JorgeJoestars met.”

Some sort of time travel paradox?

“Then I’ll let him be Jorge Joestar. Whatever. I’m notthe same guy as that Jorge Joestar, so how can there be a paradox?”

“…there’s no telling what Beyond will have in store.”

This again. I was starting to despise that word.

“Okay, okay, I’d love to see another world, but I doubt Icould survive long without the last hundred years of technology, so I’ll stayon this side. Do you even have trains or jets? Getting home sounds like a pain.”

“Mm.”

“In our world, you can probably get there in three hours byairplane, Narita to JFK.”

The Bermuda Triangle point was at the tip of ManhattanIsland. I’ll be anything it’s right where the Statue of Liberty stands.

“Narita? From Narita Mountain?”

“Yeah. JFK is named after John Fitzgerald Kennedy, formerpresident, it’s an airport on Manhattan Island.”

“Hunh…Manhattan, so America? A president who probablyhasn’t even been born yet in my world. The history of my world and yours mightbe different, so maybe he’ll never exist.”

“Right. Truth is, if this is your future, you might bebetter off not knowing much about it.”

“You think so?”

“Maybe better not to think too much about it.”

At this point my phone rang. It was Shirai.”Hello?”

“Jorge, you got a minute?”

“Yeah.”

“Bingo, buddy. Their dreams clinched it.”

“….eh! Already? Really!?”

My eyes met Tsukumojuku’s. His eyes looked very sad. Did wehave our own Javier Cortez? If there was sexual abuse going on, I was alreadyfeeling down.

“The second we brought up dreams, they all jumped,”

Shirai went on.

“They’d forgotten all about them till the moment wementioned it. But every one of them described a man with a hat pulled down overhis eyes. He showed up in their dreams, and told every one of them the samething. ‘When the police arrest you, if they ask about dreams, tell them this.

“If Jorge Joestar ever comes to Morioh, I’ll killhim.”‘ He used your name, Jorge! Every one of the fifteen said the samething, not a syllable out of place. Like the same guy put a message in alltheir dreams. They knew his name, too. ‘Kira Yoshikage.’ This is fucked up,Jorge. Never heard the like. You’d better stay the hell away from this.”

Hunh? Morioh? Where the hell was that? Who was this guy? Whowas Kira Yoshikage? Was he not just replacing Javier Cortez as the Locked RoomMaestro, but also sending me a warning through them?

“Creepy! Hell no, I’m not going there,”

I said. Shirai didn’t buy it.

“No, seriously, Jorge. There’s danger and there’s danger,right? We still need your help on stuff here, don’t you dare go.”

“I said I’m not going.”

“And when you say that you always go the weirdest places.”

He knew me pretty well by now.

“But man, it’s like he’s telling me to come!”

“Don’t! This dude can enter people’s dreams! That’s fuckedup!”

“Ah, but you saying that is like waving a red flag.”

“It’s seriously dangerous. I knew we deal with all kinds ofweird stuff on this job, but some dudes are on another level. This isdefinitely that other level. Beyond human comprehension.”

Shit like that just made me more interested! I didn’t say

that, though. I was wound up enough.

“Anyway, thank you,”

I said, and hung up. I filled Tsukumojuku in.

“So I basically have to go, right?”

“Hmmmmmmm…yeah,”

Tsukumojuku said.

“But I’m gonna stay out of it. Jorge and I already solvedour version of the case, and I’ve got other things to do and think about.”

True enough, I supposed.

“Then leave this one to me. But I really will pay your billsand travel expenses. Tell you what, I’ll take you to Manhattan, watch you popthrough the triangle to the other world, and then go to Morioh.”

I quickly did a search for Morioh on my phone. Found it. UpNortheast, off the coast near S City. Never been there. Never even heard of it.But someone there wanted me to stay away.

“All right, this’ll be fun. I’m off home. I’ll swing bytomorrow, bring you a phone. It’ll be under my name, but give us a way to talk,”

I said. Tsukumojuku bowed, to my surprise.

“Hey, now…”

“Thank you for all your kindness. After all, we met justhours ago. It seems both Jorge Joestars are gentlemen. I truly believe thatthere is meaning in my meeting you like this.”

“Ha ha, okay. Maybe there is, but no need to get all formal.It reeks of hundred year old manners. Over here we’re more relaxed, right?”

“Heh heh, my Jorge and I were quite ‘relaxed’, I assure you.But I am grateful. I may be a burden to you for a while yet, for which Iapologize. At the moment it seems I have no one else to rely on.”

“Sure. Anyway, I’m going home. See ya.”

“Tomorrow, then.”

I gave him my business card, and left feeling like he was a

weird guy, and the way we met was weird, but somehow, we’dend up being good friends. Woke up the next morning, and while I was gettingdressed word came that Tsukumojuku was dead. His body was found in Morioh.

Shit, I thought. Someone really wanted me there. That wasnever a warning at all. It was always an invitation.

Hmph.

I was going even without you killing Tsukumojuku, shit forbrains. What a waste! There was no reason for him to die.